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Intensive Documentation of Two Units
by Matt Dealy
As part of the
documentation piece of the Arts Impacting Achievement project, we had the
opportunity to observe and document each session of two separate arts integrated
units in the spring semester of 2006. Due to other commitments and the time requirements of documenting every
session of a unit, this was not something that we were able to do in the
past. The AIA project was originally
set up for staff members to visit ongoing units throughout the grant life in
order to provide support to artists and teachers when needed, but never was
there the chance to have a staff member follow an entire unit from beginning to
end. We had always been interested in
the idea and the possibilities, but until now, never had the time or
capacity. The AIA staffs’ growing
interest in having a documenter follow an entire unit was largely influenced by
the ideas presented by the Reggio approach to early childhood education and the
role of an atelierista in the classroom. Within Reggio, an atelierista often works closely with the classroom
teacher documenting and listening to the children to allow for emergent
curriculum.
The AIA staff
decided to document two classroom units from the beginning to end. One was a unit with our professional dance
artists, Rosemary Doolas, and a kindergarten teacher at Chase Elementary, Kim
Anderson, and the other was a unit with Margy Stover, one of our visual
artists, and Beverly Allebach, a fifth/sixth grade teacher at Chopin
Elementary. We chose these units for
several reasons. A couple of the
reasons were simply logistical, and some were based on ensuring we had variety
between the two units we were going to follow: different schools, grades, art
forms. We were also interested in following these particular units because, in
both cases, the teacher and artist had worked together before in prior AIA
units. The unit with Rosemary and Kim
was actually a follow-up to a unit done the previous semester with the same
students. We believed that both of
these units presented an ideal situation that “created a shared environment
where children and teachers [could] mix together for the purpose of developing
meaningful relationships and thoughtful conversations” (Damian 2005). We were also intrigued with both Kim and
Bev’s teaching processes and their use of the classroom space.

Damian, Betsy. "The
Kindergarten Art Studio, Breaking the Barriers for Learning through Creative
Collaboration." Democracy & Education 15, 3-4 (2005): 98-100.
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